An Individual Detailed Analysis on the Style, Editing Techniques Mise-En-Scene and Cinematography in the Film “Eternal Sunshine of the Spotless Mind”

An individual sm all told told analysis on the sort, modify proficiencys Mise-en- characterization and cinematography in the pick reveal lasting self-restraint of the upright consciousness. Michael Gondrys Eternal cheer of the spotless theme (2004) is not your typical Hollywood rom-com. Its cinematic style is very superior and by ut close to come forth of the ordinary for its genre. The map of techniques and the management the fritter a vogue is produced is the reason why it is so unforgettable. The non-linear annals is based around a middle-aged guy who falls in relish with a woman, who, afterward a while into their relationship decides to exhaust either single storage and feeling towards him.The explanation is told in flashbacks that slowly reveal the age and space the couple fatigued in concert and all the events that made up their relationship. Silvey states that The modern lend aceself of fib, mise en moving picture, cinematography, cut masteri ng and the soundtrack in the shoot all serve to admit the tenderness, confusion, miscommunication, pain and hope that accompany sentimentalist endeavours. SILVEY 2009 139. I depart be discussing and critically analyzing the exact identical concepts as in a higher place in my argument and how they contri besidese to such(prenominal) a stylistic yarnline. I will also be comparing techniques employ in this make to such ones in other films.Eternal fair weather of the spotless mind is a mind-blowing tosh some a man called Joel Barish who finds himself in a livelihood-changing situation when he accidentally discovers that his desire-term girlfriend, clementine Kruczynski has under foregone a brain functioning which erases someone from the mind, in this case clementine erases Joel from her remembrance, leaving her with no memories what so always of him. He decides the best way to restore his broken heart is to undergo the same autoe for and erase clementine for good. unless as his memory loss commences he finds himself trapped in his own memories, observance them as they disappear.Half way done he accreditedizes he no seven-day wants to erase clementine and tries his very best to advance hold of his living memories. The style of sheering in Eternal sunshine of the spotless mind is undoubtedly the most recognisable aspect that separates this film from a normal love stratum. It has the typical love narrative moments still the way it is pieced in concert with its innovative narrative style is what sicks it at a upstanding new level of originality. The film begins yet identical any other innocent storyline would, except as the film continues it becomes clear to the audience that it is a non-linear narrative.For the starting line couple of films the film doesnt take hold place any signs that it is beginning with the end of the film as their argon no use of flashbacks or unusual techniques pertain, scarcely when Joel goes to re creation you realize that he is conditioning himself in his own stargaze, like he is having a flashback of himself talking to his neighbour about valentines mean solar day sound hours after he had gone to sleep. He arrestms anxious and uncomfortable with the takings of conversation, especially when his neighbour mentions clementine trees name.This is the point where you start to realize that the film is possibly in a non-linear narrative as his neighbour mentioned clementine tree existence Joels girlfriend but the audience be possessed of only seen the couple together as friends and at the start of their friendship. From pastce on the film is told in flashbacks from the memory of Joel Barish mind as he eviscerates the decision to shake up the same procedure as Clementine did. As he watches his memories of Clementine blow over outside(a) he realizes he is unsounded in love with her and no long-term wants to erase her so he tries everything he can to stop the procedu re and give the memories alive.The story of Joel and Clementine is then told through Joels memory erasing but it feels as if the story is being told backwards as each memory fades away. Objects, locations and people just disappear in present of Joels and the audiences eyes. The editing in the film makes the storyline more composite plant then it actually is. As Silvey writes It plays a crucial part in the look of the circular narrative SILVEY 2009 1. The mis imparting techniques utilize when Joels memories start to disappear give the audience an understanding of the confusion and frustration that Joel is going through.There ar plenty of congressmans of persistency editing in Eternal sunshine, some(prenominal) temporal and spatial argon apply. Dis perseverance is used throughout the memory erasing purviews with the deliberate use of ellipsis as Joel relives his memories in flashbacks. most of the savours from Joels memories atomic number 18 put together in a montage ed it this is some other example of discontinuity editing. There argon multiple uses of cross bully in the film, which is when in that respect be a series of gingersnaps that keep cutting back and forth from one shot to another shot, this occurs in a corporation of the flashback prospects.Also there be several rear cuts, which brakes the continuity edit as in order to achieve a smooth and non-noticeable cut from one shot to another the tv camera must come to 30 degrees or more to expose the continuity in the deed of shots. just now a startle cut is measuredly shot without using the 30-degree rule. Therefore when you put the shots together they make a arise affect and it brakes up the continuity of the edit. In this case, Gondry well-educatedly directed the crosscutting and jump cuts in order to express Joels reactions to the procedure.At the beginning of the film the editing picks up a rhythm and runs smoothly, giving a perfect example of continuity editing, but as th e film goes on it begins to replenishment between continuity and discontinuity as the edit balances out the changes between reality and the kinky memories. There are a admixture of editing techniques that are used in the film, the use of Jump cuts, fast paced panoramas and the opposite varieties of camera angels give a real sense of Joels life. The purpose of the translation and different techniques is to deliver the feelings of emotion, confusing, frustration and sorrow that Joel is experiencing in his memory loss.The memory erasing begins with Joels most recent memory spent with Clementine it then realizes its way backwards ending with his memory of when he very first met Clementine. There are slight uses of special actions in each memory loss scene as everything in the memory disappears. Joel is reflexion all the objects and people around him ignore in front of his eyes. Some scenes are sped up in the edit and some are slowed down and certain shots are reversed. The us e of light and sound are two main sources that build up the scenes to make them look as if Joel is experiencing something out of the ordinary.When a memory of him and Clementine begins to be erased, it gets darker and there are spotlights that localise on Joel and Clementine. The sound is very disturbing and almost irritating but this is done on purpose to describe how frustrating the process is for the characters and how uncomfortable the experience is for Joel, just like it is for the audience to hear the sound and watch the fast cut scenes. The eye-line match technique is frequently used when Joel moves from one memory to another, as he is constantly piteous from different events he has to re-focus and this is when the eye-line technique is used.The scene where Joel is chasing after Clementine in his motorcar after they have an argument was a big give away to the non-linear mental synthesis as at the beginning of the film you see Joel approach his car in the morning where he notices the damage in which he then leaves a give thanks you note on his neighbours car to suggest that his neighbour did it, but in actual fact it was Clementine who created the damage but due to his memory erasing he cant remember as this scene is actually the morning after his procedure. The structure of the edit in the car scene isnt very artless and discontinuous, which may confuse viewers slightly.You see Joel climb into his car and reverse away from the bollard that Clementine parked up against, chasing after her in the car as she walks along the street exclusively. He then stops and follows after Clementine on foot but as he runs after her the tracking shot of him is slowed down and then confusingly he is no longer running towards her and ends up in front of his smashed car at the other end of the street that he parked it at. He stops in confusion and turns around to see Clementine walking the opposite direction, so he beings to follow her again.The cinematography in th is scene is very realistic, it is hand held which would have been carried out with a stead-cam, Director of photography Ellen Kuras mentions in forget me not by potty Pavlus what Gondry wanted In one of the scenes, he wanted me to shake the camera so we could see it was a handheld effect in camera, as opposed to a locked-off superimposition effect or range exposure. PAVLUS 2004 1 The movement of shots makes the scene more realistic kinda then having static shots. The purpose of this is to make the audience feel they are involved in the scene rather then just sat there watching it.The style of cinematography in the film is very similar to the techniques that would be occupied to produce a documental. There is a lot of hand held camera crap involved and the camera angles and shots have the documentary feel to them. The changes in focus are noticeable and in this case intentional as Gondry directs this style of camera work to give it that documentary feel. Use of pull-focus from one character to another is often seen in this film, for example Clementine is stood in the suck up and Joel is stood in the background as the camera pull-focuses from Clementine onto Joel.Particular shots are out of focus such as objects and people in front of Joel, the reason for this is to show the deformation and deterioration of Joels memory. Crane shots are used in the scene where Joel is left over(p) alone on the iced over lake, he is looking up at the huckster whilst pleading for the procedure to end. This high long shot signifies how little Joel is compared to everything around him, and how unrealizable it is for him to call the procedure off by simply shouting into the sky. It also signifies how alone he feels, being left piece of ass when everything around him is dying.As Corrigan says In any film, from the most realistic to the most theatrical, there are specific properties of the mise-en-scene at which to direct your attention. CORRIGAN 2010 54. This retell from the book A short remove to writing about film gives a precise example of the way the mise-en-scene contributes to this film. The mise-en-scene plays a big significance to the story and characters in eternal sunshine the effort and intellection put into the sets is so complex. The film relies on the imaginative use of mise-en-scene to unfold the story bit by bit.The vox populi privy this is to the balance between the real earth of reality and the dream beingness. Although Joel is experiencing real life memories, he is also asleep, therefore all the random scenes which dont whole make sense is the dream world balancing out with reality because in your dreams you experience real life situations but often with the occasional random events which lead to a completely different orbit and it throws you off track. And that is exactly what Joel is experiencing whilst re-living his memories.The most memorable scenes and uses of mise-en-scene were the bamboozley beach scene where Joe l and Clementine end up in their double bed together. This scene is so dream like with it being on a beach in the middle of winter, with snow covering every inch of the rim and just them two led there in their double bed in the middle of this isolated location is unquestionably something you wouldnt come across on a normal day, therefore it is another dream like situation and a very significant scene. The scene where Joel and Clementine rush into Dr. Howard Mierzwaiks office is exceedingly surreal. Its the type of thing that would knock down up in a dream. The scene is dark and the only light is a shinning bright spotlight on positioned on each character. The camera is eye-lined positioned in front of Joel and Clementine following them into Dr. Mierzwaiks office. This is an example of the use of an eye-match edit, when Joel reaches the office he looks at something off screen, then the shot changes to what he is looking at which is Dr. Mierzwaik sat at his desk.As Joel begins to discuss that he no longer wants the procedure to continue to Dr. Mierzwaik colleagues at the operating room appear and their facial features are non-existent. on the whole you see is a plain suit with nothing on it. Joel begins to freak out and you can understand the terror he is feeling. The darkness of the scene and the small restrict room that it is set in provides the viewers with a sense of how Joel is feeling, a defined atmosphere of being trapped and the thought of knowing that there is no escaping the process.Every scene in this film is so detailed, reinforced to its individuality and pieced together with such original editing techniques, which is why each scene is gratifying to watch because the amount of creative thinking that Gondry has put into it all. This film is very aleatory it goes from one scene to a completely different scene when you least postulate it. As you sit and watch this ikon you feel so engaged with the story and the characters and personally The reason behind this is all down to its style and filmic techniques.This quote by Timothy Corrigan illustrates this In a movie, it is the camera that eventually films a mise-en-scene when you watch a movie, you see not only the settings, actors, twinkle but all these elements as they are recorded and then projected. CORRIGAN 2010 61 what Corrigan is saying is that cinematic practices make the most integral contributions to the bend of a film and Eternal sunshine of the spotless mind serves as an exceptional(a) example of this.BibliographyCORRIGAN, Timothy. 2010. A short engage to writing about film. Seventh Edition. parvenue York. PAVLUS, John. 2004. Forget me not. American Cinematographer. online uncommitted at http//www. theasc. com/magazine/april04/cover/index. hypertext markup language accessed 2010 SILVEY, Vivien. 2008. Not your average love story film techniques in Eternal sunshine of the spotless mind. Screen education. online Available at http//gateway. proquest. com/op enurl? url_ver=Z39. 88-2004res_dat=xriiiparft_dat=xriiipaarticlefulltextiipa00527918 accessed 2010.