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fictive Writing EssaySpecific poetic imprints submit been positive by many cultures. In much developed, closed or received poetic forms, the riming scheme, meter and other elements of a poem argon based on sets of rules, ranging from the relatively loose rules that govern the construction of an wail to the highly formalized body structure of the ghazal or villanelle. Described below are some common forms of verse line widely used across a number of languages. Additional forms of poem may be found in the discussions of meter of special(prenominal) cultures or compass points and in the glossary. SonnetAmong the most common forms of poetry through the ages is the sonnet, which by the 13th hundred was a poem of quaternionteen lines following a set poetry scheme and logical structure. By the 14th nose candy, the form further crystallized under the pen of Petrarch, whose sonnets were later translated in the 16th vitamin C by Sir Thomas Wyatt, who is credited with int roducing the sonnet form into English literature. A sonnets first four lines typically introduce the topic. A sonnet usually follows an a-b-a-b rhyme pattern. The sonnets conventions have changed over its history, and so there are several different sonnet forms.Traditionally, in sonnets English poets use iambic pentameter, the Spenserian and Shakespearean sonnets being oddly notable. In the Romance languages, the h finisecasyllable and Alexandrine are the most widely used meters, though the Petrarchan sonnet has been used in Italy since the 14th century. Sonnets are particularly associated with love poetry, and oftentimes use a poetic diction to a great extent based on vivid imagery, solely the twists and turns associated with the move from octave to sestet and to final couplet imbibe them a useful and dynamic form for many faces. Shakespeares sonnets are among the most famous in English poetry, with 20 being acceptd in the Oxford Book of English Verse.Shi (poetry)Shi (tradit ional Chinese simplified Chinese pinyin sh Wade-Giles shih) Is the principal(prenominal) type of Classical Chinese poetry.Within this form of poetry the most important variations are folk phone call styled verse (yuefu), out of date style verse (gushi), modern style verse (jintishi). In all cases, rhyming is obligatory. The Yuefu is a folk lay or a poem written in the folk ballad style, and the number of lines and the continuance of the lines could be irregular. For the other variations of shi poetry, loosely all a four line (quatrain, or jueju) or else an eight line poem is normal either way with the even numbered lines rhyming. The line length is scanned by according number of characters (according to the convention that one character equals one syllable), and are predominantly either five or seven characters long, with a caesura before the final three syllables.The lines are generally end-stopped, considered as a series of couplets, and exhibit verbal parallelism as a key poetic device. The old style verse (gushi) is less formally strict than the jintishi, or regulated verse, which, despite the name brisk style verse actually had its theoretical basis laid as far back to Shen Yue, in the 5th or 6th century, although not considered to have reached its safe development until the time of Chen Ziang (661-702) A good example of a poet known for his gushi poems is Li Bai.Among its other rules, the jintishi rules regulate the tonal variations within a poem, including the use of set patterns of the four tones of Middle Chinese The basic form of jintishi (lushi) has eight lines in four couplets, with parallelism between the lines in the second and third couplets. The couplets with parallel lines contain contrasting content but an identical grammatical relationship between words. Jintishi often have a rich poetic diction, full of allusion, and can have a wide range of subject, including history and politics. whizz of the traverses of the form was Du Fu, wh o wrote during the piquantness Dynasty (8th century).VillanelleThe villanelle is a nineteen-line poem made up of five triplets with a closing quatrain the poem is characterized by having 2 leave offs, initially used in the first and third lines of the first stanza, and then alternately used at the close of each subsequent stanza until the final quatrain, which is concluded by the two refrains. The remaining lines of the poem have an a-b alternating rhyme.The villanelle has been used regularly in the English language since the late 19th century by such poets as Dylan Thomas, W. H. Auden,and Elizabeth Bishop.TankaTanka is a form of unrhymed Japanese poetry, with five sections totalling 31 onji (phonological units identical to morae), incorporate in a 5-7-5 77 pattern.There is generally a shift in tone and subject matter between the upper 5-7-5 phrase and the lower 7-7 phrase. Tanka were written as primal as the Nara period by such poets as Kakinomoto no Hitomaro, at a time when J apan was emerging from a period where much of its poetry followed Chinese form. Tanka was originally the shorter form of Japanese formal poetry, and was used more than heavily to explore personal rather than public themes. By the 13th century, tanka had become the dominant form of Japanese poetry, and it is still widely written today.HaikuHaiku is a popular form of unrhymed Japanese poetry, which evolved in the 17th century from the hokku, or opening verse of a renku. Generally written in a single vertical line, the haiku contains three sections totalling 17 onji, structured in a 5-7-5 pattern. Traditionally, haiku contain a kireji, or cutting word, usually placed at the end of one of the poems three sections, and a kigo, or season-word. The most famous exponent of the haiku was Matsuo Bash (16441694). An example of his piece of writingfuji no kaze ya oogi ni nosete Edo miyagethe land up of Mt. FujiIve brought on my fana gift from EdoOdeOdes were first developed by poets writing in quaint Greek, such as Pindar, and Latin, such as Horace. Forms of odes appear in many of the cultures that were influenced by the Greeks and Latins.The ode generally has three parts a strophe, an antistrophe, and an epode. The antistrophes of the ode possess similar metrical structures and, depending on the tradition, similar rhyme structures. In contrast, the epode is written with a different scheme and structure. Odes have a formal poetic diction, and generally deal with a serious subject.The strophe and antistrophe look at the subject from different, often conflicting, perspectives, with the epode moving to a high level to either view or resolve the underlying issues. Odes are often in unraveled to be recited or sung by two choruses (or individuals), with the first reciting the strophe, the second the antistrophe, and both together the epode.Over time, differing forms for odes have developed with considerable variations in form and structure, but generally showing the origin al influence of the Pindaric or Horatian ode. One non-Western form which resembles the ode is the qasida in Persian poetry.GhazalThe ghazal (also ghazel, gazel, gazal, or gozol) is a form of poetry common in Arabic, Persian, Turkish, Azerbaijani, Urdu and Bengali poetry. In classic form, the ghazal has from five to fifteen rhyming couplets that share a refrain at the end of the second line. This refrain may be of one or several syllables, and is preceded by a rhyme. all(prenominal) line has an identical meter. The ghazal often reflects on a theme of unattainable love or divinity. As with other forms with a long history in many languages, many variations have been developed, including forms with a quasi-musical poetic diction in Urdu. Ghazals have a classical affinity with Sufism, and a number of major Sufi religious works are written in ghazal form. The relatively steady meter and the use of the refrain produce an incantatory effect, which complements Sufi mystical themes well. Amo ng the masters of the form is Rumi, a 13th-century Persian poet who lived in Konya, in current Turkey.GenresIn addition to specific forms of poems, poetry is often thought of in terms of different musical styles and subgenres. A poetic genre is generally a tradition or classification of poetry based on the subject matter, style, or other broader literary characteristics. Some commentators view genres as natural forms of literature. Others view the understand of genres as the study of how different works relate and refer to other works. narration poetryNarrative poetry is a genre of poetry that sound outs a story. Broadly it subsumes epic poetry, but the term level poetry is often reserved for smaller works, generally with more appeal to human interest. Narrative poetry may be the oldest type of poetry. Many scholars of Homer have concluded that his Iliad and Odyssey were composed from compilations of shorter narrative poems that related to individual episodes. Much narrative p oetrysuch as Scottish and English ballads, and Baltic and Slavic heroic poemsis performance poetry with roots in a preliterate oral tradition. It has been speculated that some features that say poetry from prose, such as meter, alliteration and kennings, once served as memory aids for bards who recited traditional tales. notability narrative poets have include Ovid, Dante, Juan Ruiz, Chaucer, William Langland, Lus de Cames, Shakespeare, Alexander Pope, Robert Burns, Fernando de Rojas, Adam Mickiewicz, Alexander Pushkin, Edgar Allan Poe and Alfred Tennyson.Epic poetryEpic poetry is a genre of poetry, and a major form of narrative literature. This genre is often defined as lengthy poems concerning events of a heroic or important nature to the culture of the time. It recounts, in a continuous narrative, the life and works of a heroic or mythological person or group of persons. Examples of epic poems are Homers Iliad and Odyssey, Virgils Aeneid, the Nibelungenlied, Lus de Cames Os Lu sadas, the Cantar de Mio Cid, the Epic of Gilgamesh, the Mahabharata, Valmikis Ramayana, Ferdowsis Shahnama, Nizami (or Nezami)s Khamse (Five Books), and the Epic of power Gesar. While the composition of epic poetry, and of long poems generally, became less common in the west after the early 20th century, some notable epics have continued to be written. Derek Walcott won a Nobel prize to a great extent on the basis of his epic, Omeros.Verse drama and salient verse, Theatre of ancient Greece, Sanskrit drama, Chinese Opera, and Noh Dramatic poetry is drama written in verse to be spoken or sung, and appears in varying, sometimes related forms in many cultures. Greek tragedy in verse dates to the 6th century B.C., and may have been an influence on the development of Sanskrit drama, just as Indian drama in turn appears to have influenced the development of the bianwen verse dramas in China, forerunners of Chinese Opera.East Asian verse dramas also include Japanese Noh. Examples of dram atic poetry in Persian literature include Nizamis two famous dramatic works, Layla and Majnun and Khosrow and Shirin, Ferdowsis tragedies such as Rostam and Sohrab, Rumis Masnavi, Gorganis tragedy of Vis and Ramin, and Vahshis tragedy of Farhad.Satirical PoetryPoetry can be a powerful vehicle for satire. The Romans had a strong tradition of satirical poetry, often written for political purposes. A notable example is the Roman poet Juvenals satires.128 The same is true of the English satirical tradition. John Dryden (a Tory), the first Poet Laureate, produced in 1682 Mac Flecknoe, subtitled A Satire on the True Blue Protestant Poet, T.S. (a reference to Thomas Shadwell).Another master of 17th-century English satirical poetry was John Wilmot, 2nd Earl of Rochester.Satirical poets outside England include Polands Ignacy Krasicki, Azerbaijans Sabir and Portugals Manuel Maria Barbosa du Bocage.Lyric poetryLyric poetry is a genre that, unlike epic and dramatic poetry, does not attempt to t ell a story but instead is of a more personal nature. Poems in this genre tend to be shorter, melodic, and contemplative. Rather than depicting characters and actions, it portrays the poets own feelings, states of mind, and perceptions.Notable poets in this genre include John Donne, Gerard Manley Hopkins, and Antonio Machado.ElegyAn dirge is a mournful, melancholy or plaintive poem, especially a lament for the dead or a funeral song. The term elegy, which originally denoted a type of poetic meter (elegiac meter), commonly describes a poem of mourning. An elegy may also reflect something that seems to the author to be strange or mysterious. The elegy, as a look on a death, on a sorrow more generally, or on something mysterious, may be classified as a form of lyric poetry. Notable practitioners of elegiac poetry have included Propertius, Jorge Manrique, Jan Kochanowski, Chidiock Tichborne, Edmund Spenser, Ben Jonson, John Milton, Thomas Gray, Charlotte Turner Smith, William Cullen B ryant, Percy Bysshe Shelley, Johann Wolfgang von Goethe, Evgeny Baratynsky, Alfred Tennyson, Walt Whitman, Louis Gallet, Antonio Machado, Juan Ramn Jimnez, William Butler Yeats, Rainer Maria Rilke, and Virginia Woolf.FableThe fable is an ancient literary genre, often (though not invariably) set in verse. It is a succinct story that features anthropomorphized animals, plants, inanimate objects, or forces of nature that illustrate a moral lesson (a moral). Verse fables have used a variety of meter and rhyme patterns. Notable verse fabulists have included Aesop, Vishnu Sarma, Phaedrus, Marie de France, Robert Henryson, Biernat of Lublin, Jean de La Fontaine, Ignacy Krasicki, Flix Mara de Samaniego, Toms de Iriarte, Ivan Krylov and Ambrose Bierce.Prose poetryProse poetry is a hybrid genre that shows attributes of both prose and poetry. It may be indistinguishable from the micro-story (a.k.a. the short short story, flash apologue). While some examples of earlier prose strike modern read ers as poetic, prose poetry is commonly regarded as having originated in 19th-century France, where its practitioners included Aloysius Bertrand, Charles Baudelaire, Arthur Rimbaud and Stphane Mallarm.Since the late 1980s especially, prose poetry has gained increasing popularity, with intact journals, such as The Prose Poem An International Journal,Contemporary Haibun Onlinedevoted to that genre. Speculative poetrySpeculative poetry, also known as fantastic poetry, (of which weird or macabre poetry is a major subclassification), is a poetic genre which deals thematically with subjects which are beyond reality, whether via extrapolation as in science fiction or via weird and outrageous themes as in horror fiction. Such poetry appears regularly in modern science fiction and horror fiction magazines. Edgar Allan Poe is sometimes seen as the father of speculative poetry.